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The Word Unheard: Legacies of Anti-Semitism in German Literature and Culture, by Martha B. Helfer
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The publication of Martha B. Helfer’s The Word Unheard: Legacies of Anti-Semitism in German Literature and Culture marks a stunningly original new direction in the interpretation of canonical works of eighteenth- and nineteenth-century German literature.�
Between 1749 and 1850—the formative years of the so-called Jewish Question in Germany—the emancipation debates over granting full civil and political rights to Jews provided the topical background against which all representations of Jewish characters and concerns in literary texts were read. Helfer focuses sharply on these debates and demonstrates through close readings of works by Gotthold Lessing, Friedrich Schiller, Achim von Arnim, Annette von Droste- H�lshoff, Adalbert Stifter, and Franz Grillparzer how disciplinary practices within the field of German studies have led to systematic blind spots in the scholarship on anti-Semitism to date.�
While all the authors discussed are well known and justly celebrated, the particular works addressed represent an effective mix of enduring classics and less recognized, indeed often scandalously overlooked, texts whose consideration leads to a reevaluation of the author’s more mainstream oeuvre. Although some of the works and authors chosen have previously been noted for their anti-Semitic proclivities, the majority have not, and some have even been marked by German scholarship as philo-Semitic—a view that The Word Unheard undertakes not so much to refute as to complicate, and in the process to question not only these texts but also the deafness of the German scholarly tradition. With implications that reach into many disciplines, The Word Unheard will be a foundational study for all scholars of modern Germany.
- Sales Rank: #3057032 in Books
- Published on: 2011-11-30
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.10" w x 6.00" l, 1.00 pounds
- Binding: Hardcover
- 264 pages
Review
In this challenging and broadly convincing book, Martha B. Helfer
investigates anti-Semitism, not among the usual suspects, but in a range
of mostly canonical eighteenth- and nineteenth-century texts by Lessing,
Schiller, Arnim, Droste-H�lshoff, Stifter and Grillparzer, where animus
against Jews is mostly latent and has to be uncovered by close reading.
Even the great philosemite Lessing, whose conscious good intentions Helfer
does not impugn, reveals unconscious ambivalence, not only in Die
Erziehung des Menschengeschlechts but even in Die Juden and Nathan der
Weise. Helfer's readings are astute and often persuasive. ----Ritchie Robertson, Journal of European Studies
The Word Unheard has been heard. This is a brilliant and sophisticated book on the culture of anti-Semitism in the world of German-speaking Bildung.
Thechapter on Schiller is not only original but should be required reading for all Germanists interested in the complexity of major writers and major texts in the Classical tradition. Helfer's book is not only insightful and critical, in the best sense of the word, but it demands that we do not simply recognize anti-Semitism in the world of slow Jewish emancipation but understand the difficult and complicated world of the Christian Enlighteners and their successors. A book worth reading; a book worth adding to you library. ----Sandar Gilman, Distinguished Professor of the Liberal Arts and Sciences; Professor of Psychiatry, Emory University
About the Author
Martha B. Helfer is Associate Professor and Chair of the German Department at Rutgers University.
Most helpful customer reviews
6 of 8 people found the following review helpful.
A real tour-de-force!
By JH
This book offers a provocative interrogation of the workings of literary anti-Semitism for which there is really no parallel in the existing literature--in English or German. Helfer opens her book with a substantial introduction that reflects in methodological and theoretical terms on what is at stake in reading for latent anti-Semitism in canonical works of German literature in the way she does. The book is well structured and beautifully written, without a single lapse into unnecessary scholarly jargon, and marks an important contribution to both German and German-Jewish Studies. The Word Unheard is a major study, one that should be required reading for students and scholars of German Studies and Jewish Studies alike.
1 of 1 people found the following review helpful.
Academic Trash: Lying Lunacy Writ Large: Ridiculous Academic Reasoning -- From Beginning to End
By PUBLIC SERVICE ANNOUNCEMENT
This review is for: The Word Unheard: Legacies of Anti-Semitism in German Literature and Culture (Hardcover)
WARNING: THIS IS BOOK IS TRASH! IT'S FOR ANTI-GERMAN JEWS ONLY. HANG ON, SNOOPIE! SCHIZOIDAL ZIONIST GIRL HAS GONE WILD, WILD, WILD!,
The state of academia is in terrible decline in the U.S.A. This book is just another instance for the prosecution. It's written in deconstructionist scribble-scrabble. The entire Introduction is devoted to merely sounding like someone who knows what she's writing about but who makes sure she talks out of both sides of her mouth so she can't ever be wrong, though she also cannot ever be clear or plain in her meaning to her readers either.
The writing contains a lift-off, levitating quality that only works if you ignore sense and logic, as do all of Jacques Derrida's works work this technique as well. This text, however, is dumbed-down Derrida. It is not nearly so convoluted as his writing. Thank God for small favors, eh?
Not only does the author contradict herself in almost every paragraph she writes, she never defines what she means -- ever. The most blatant example is how the author literally and openly refuses to define "anti-Semitism." Of course, she refuses, because it's a non-conceptual, fuzzy word, yet it's even used in the subtitle of her work: "Legacies of Anti-Semitism in German Literature and Culture." Ridiculous! You're not allowed to shout "Fire!" in a crowded movie theater, but you're allowed to fling the label "anti-Semitism" in a book written by a deconstructionist specialist who doesn't have to define her terms according to "the method." Ridiculous!
Here's a passage which fully illustrates the Lewis Carroll-like nonsense the author is fond of spewing throughout the entire work, this from page 21 on Gotthold Lessing. (It's actually kind of unintentionally funny, in part, too):
". . . I do not believe that either Lessing or his writings should be characterized as anti-Semitic. In comparison to the unambiguous anti-Semitism elsewhere in Enlightenment letters -- Kant's call for the euthanasia of Judaism, Voltaire's attack on the Jews as a barbarous, contemptible people who nonetheless should not be burned, or Fichte's proposal to decapitate the Jews and replace their Jewish heads with Christian ones, to cite but a few famous examples -- Lessing clearly intends to promote a pro-Jewish Enlightenment tolerance agenda. It is also the case, I believe, that we simply cannot read Lessing's writings on Jews and Judaism as they were read in the eighteenth century. Our post-Holocaust eyes perforce read the anti-Jewish moments in these texts more critically . . . . Still, these anti-Jewish moments in Lessing's writings must be read, and not simply read over or excused away as not existing. This is precisely the point of the three close readings I have offered here: to demonstrate a structural homology that must be accounted for in any study of `Lessing and the Jews.' At the limits of his Enlightenment discourse, Lessing's pro-Jewish writings turn back on themselves programmatically and self-critically. Where Lessing intentionally wrote this critique into his texts -- as I have proposed -- ultimately is a matter of little consequence. Intentional or not, the anti-Jewish moments in these texts constitute an important juncture in the history of the formation of the rhetoric of anti-Semitism."
A rational reader just wants to scream: "Give me a freakin' break! 'Anti-Jewish moments' are an important "juncture" in the history of the formation of the rhetoric of anti-Semitism," particularly when no one knows what anti-Semitism is and such a concept never existed in the 19th century? Jobberwocky talk!!!
The author authoritatively states if a Jew can smell anti-Semitism anywhere in a text, it is, in fact, anti-Semitism, even when it's not anti-Semitism. That much was made plain. And if a text offends a Jew, it is thereby offensive and objectionable even when the text is not anti-Semitic. I think I remember reading something from nonsensical from Gertrude Stein once that went, "I judge judge." Well, so does Martha Helfer, too. She helps herself to judgment of others whenever she cares to. That's right, too, no? Ridiculous!
Or in the words of the Scottish Orpheus, Donovan: "First, there is no mountain, then there is no mountain, then there is."
Ridiculous!
There's also something insidiously creepy about a book in which the author is actively snooping -- spying - inside a past century and culture in order to find traces of real hatred for a race in a time and in a culture that was not ever known or expected to be "Jew-friendly" and who keeps insisting on blaming the individuals involved for their "anti-Semitism" when that culture was uniquely homogeneous, as Israel is today or as Japan is, but few nations now are, thanks to Israel-led immigration policies all over the Western world.
This whole work is all so laughably ridiculous. Find something else to read, and avoid this garbage-seeking garbage -- unless you like a Zionist version of Lewis Carroll's work, "Adventures Through the Spying Glass."
4 of 6 people found the following review helpful.
A New Perspective on Anti-Semitism
By Katharina G.
The argument of this book is bold, original, and deceptively simple: Between 1750 and 1850, during a time of constant political debate about the place of Jews in German and Austrian society, German-language writers developed a new literary anti-Semitism that has been largely ignored by scholars. In a series of close readings, Helfer shows how canonical authors such as Friedrich Schiller, Achim von Arnim, Annette von Droste-H�lshoff, and Franz Grillparzer create their Jewish characters from stock images of anti-Semitism. Even more importantly--and surprisingly--Helfer argues that they are very much aware of their doings, aware that "the Jew" is a discursive construct, a creation of their own writing. Helfer's provocative thesis is that the authors' self-reflexivity abets anti-Semitism rather than exposes or critiques it. The book is lucidly written and its argument compelling.
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